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American
Legend and Yale's own Dr. Riley B. King, better known as Blues Boy
B.B.
King
"Listens to Wynne Alexander"
Civil Rights Leader
Coretta
Scott King
spoke
with Wynne about how love can vanquish turmoil.
Political And Anti-War Activist, Defender of the
Faith and Truly Heavy Weight Champion of the World
Muhammad
Ali
(Click links for audio)
For a free mp3 player, click HERE.
Entire Review
Honored by Collected Sounds, known for their cutting-edge critiques and extraordinary insight into the Arts and Music


This Just In from Sweden and Europe FuzzLogic.com Luna Kafe Music Reviews
Luna
Kafé record review
Luna Kafé - Wynne Alexander: Take Back the Night
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Luna Kafé record review
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DATELINE: SWEDEN -
Full Moon 124 - 11/05/06
Wynne Alexander
Take Back the Night
Probonofone Studios
Wynne Alexander's debut was a special record and I'm glad she's finally recorded a new one. Her cabaret sensibilities and sharp wit are intact as is her glorious voice.
The opener "Didn't You Say You Love Me" sees her let loose on her keys and use her alto voice to great effect as she dissects relationships. "Using Me" is a spiteful number with a big dramatic instrumentation to support it. "There's a Problem in the Land" takes a look at society and doesn't have kind things to say. Despite this its hooky and catchy and Alexander even scat sings a little.
The cabaret spirit rears its head for "What the World Calls Real", Alexander plays the disillusioned diva to perfection. The song's mood has me seeing her perform it live in a German beer hall in the twenties, war just around the corner and divine decadence rampant all over. "Should You Find Yourself" is the perfect after hours ballad, of love dying set to a stately melody.
This is a fabulous record and it's good to have her back.
Copyright © 2006 Anna Maria Stjärnell
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© 2006 FuzzLogic
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Woodstock
Hero and Rock Icon
Richie Havens, while watching
and listening to Wynne’s entire sound check before
she opened for him in Philadelphia said,
“She’s a one woman show. There’s
a Broadway aspect to her that is unmistakable.”
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| Wynne Alexander goes wildly International... |
WORLD
ART
CELEBRITIES JOURNAL
THE INTERNATIONAL VOICE OF WORLD'S ARTS, CULTURE, MUSIC AND ENTERTAINMENT.
NOVEMBER 2003 ISSUE |
IN
THIS ISSUE:
The French Cabaret from the 17th Century
to Present
MEET: WYNNE ALEXANDER. The Diva who makes you think!
The American
Divas of the Ring
GOSPEL MUSIC IN AMERICA |
The Musical Treasure of Maestra Alexander.
Who
is Wynne Alexander? A Phenomenon! A Rare Treasure.
written by Maximillien
de Lafayette, Paris, France. October 26, 2003
Rating:    One
of the best CDs of the Year!
Valerie Constand got a copy
of Ms. Wynne Alexander’s
CD. She asked me to listen to it and tell her what I think. Humbly,
I am requesting Ms. Alexander forgiveness for not being familiar
with her work, music and songs. Valerie insisted and defenseless,
I succumbed to her wish. Apparently Valerie was impressed by
the talent of Ms. Alexander. So I ordered one espresso, got comfy
and began to listen to the music of Ms. Alexander.
Usually, critics give a compliment to
an artist when they state: “ You
feel as if she (any artist) is singing or playing just for you!” That
is fine. I did not feel that way upon listening to Ms. Alexander’s
music. Instead, I felt as if Wynne and I were playing the piano
and singing together for the whole world to hear us. I wanted
so much to melt in her music, presence, magical virtuosic hands
escapade, and be part of each of her whispers, murmurs, stormy
voice and delicately elegant musicality.
Wynne calls her music “Cosmopolitan Rock”. I call
it a rosary of glittering beads of virtuosity, warmth, elegance
and beauty. Human, very human. Celestial in its musical evocation,
yet down to earth and explosive in its delivery. Her style is
a bouquet of refined sophistication and a mad volcano of emotions
and daring intimacy. I have never seen Ms. Alexander performing
on stage. However, I have the precognitive feeling that this
lady will embellish, revolutionize, caress, mesmerize the stage…and
will run with it.
Wynne Alexander is powerful!
THE INNER PERSONA OF WYNNE ALEXANDER. WHO IS THIS
MYSTERIOUS WOMAN?
“
She has been compared to Cole Porter, Bonnie Raitt, Gershwin
and Marlene Dietrich, even got B. B .King's endorsement.” This
is what you see and what you read every time you log on any of
Ms. Alexander’s sites or any site posted by fans and music
executives or distributors. On the surface, this analogy appears
to be a compliment or a stamp of recognition caused by critics
and music lovers. To me, this is a banal cliché.
Ms. Alexander should not be compared to
anybody. This woman is multi-dimensional and marvelously innovative
in her music
interpretation, musicality illustration, deep enigmatic voice,
piano elegant performance imbibed with personal experience and
daring look at the universe which surrounds her and which expands
to absorb the unseen. A metaphoric visualization of her own world.
Wynne lives in her own world, a “somewhere dimension” which
is not accessible to “common depiction” of a standards
performer. Being an intelligent woman, a lyricist, a piano virtuosa,
an existentialist thinker throwing her shadow on the streets
of Philadelphia, this woman comes strong and powerful on the
piano bar scene and cabaret nightspots. Alexander is one of the
most intriguing, intellectual, intelligent, honest, realistic
and truthful performers in America. It does not matter whether
she is famous to the masses or unknown to inhabitants of world
music. This woman is a monument. She is powerful. Once, you feel
the depth, the substance and bitter reality of life in her songs,
you will realize that Ms. Alexander is larger than life and you
need to be part of her expanding universe. Alexander is not Jennifer
Lopez or a Las Vegas vain superstar. Alexander is a woman who
knew and experienced life. And this is why we go to cabaret.
She is “real life”. She is the real thing in motion,
in poesy, in delightful madness and in music.
Maestra Alexander wrote: “I exist in myself”,
she agrees, “I’m more unfettered than most, yet I
have to live with everyone’s opinions. I’ve heard
people say I write male. I’ve heard people say I play like
a black man. And that’s an enormous compliment, but what
I think they’re talking about is strength. You don’t
have to be male to be strong...I know how intrigued men and women
are when they watch me play. When I’m up at the piano-
'attack, attack, attack'-I give the lie to the myth that female
players aren't compellingly strong.” In her words, you
can feel the poesy, the intellectual revolution, the free-spirited
explosive woman, the poetess and the delightful sentimental anarchist.
You cannot
stereotype her music. For its escapes from your heart…flirts with your daring thoughts and wishes
you sweet dreams…Here music is larger than life…
But this anarchy is an infusion, explosion and reunion of the
mystic and the blaze, the dramatic and the real, the esthetic
and the pragmatic. It is a delightful artistic, half divine half
human anarchy and I want to be part of it.
You cannot define the style
of Wynne. She is already beyond dogmatic definitions. She has
already traversed the bridge
of musical epistemology. She is glittering on the top of the
hill, and those who are still searching for words and fancy phrases
to describe her art are left far behind. Usually, we listen to
a certain kind or genre of music in virtue of our emotional needs,
state of mind and or to create a mood to sink in, to sail in
and to live from within. With Maestra and Diva Alexander, the
mood is already set for you. And you sit for long time listening
to her, for her interpretation of music is unorthodox, complex
but not complicated, romantic but not out of style, tender but
not weak….and all of a sudden, waves of powerful strokes
of music and unconventional, powerful and progressive musicality
avalanches roll in your direction and take you by storm. This
woman is delightful and musically dangerous!
And you become totally taken by her avalanche
of inner feelings, exploding emotions, yet, the very sophisticated
and tender Wynne
Alexander is gently sitting besides you, emanating affection,
tenderness and warm friendship. So, don’t ask me how would
I define or label her style. She is too noble to be classified
and indexed under titles and labels. Her music is transcendental
in modernism, liberalism, conservatism, existentialism and romanticism.
Wynne’s CD is a treasure. A rare treasure.
I
discovered a practical diva. Back in her hometown, not on mountain
Olympus but, where
she came from,
they still call her
Wynne Alexander…
I love a lot of things about
this mesmerizing lady. Firstly, her music. Secondly, her way
of life, the way she thinks,
illustrates the world on her tragicomic canvas, on the stretched
field of her universe… Read this. This is what she wrote: “We
could be talking about Black Folks in America, Armenians in Turkey,
Turks in Germany, Muslims in Sri Lanka, Jews in Europe, or Gays
anywhere. We have numerous examples throughout the history of
mankind of a majority imposing its opinion and will on a 'smaller'
community. The majority sets the agenda, then labels and hails
the heroes. And so today someone says 'she's so good, she plays
like a man'-and tomorrow they'll just say-'she's so good.'
“You can’t look at a person and know anything,” says
Wynne Alexander with a smile. “there’s no successful
shorthand in this world. You’ve gotta’ find out
for yourself.”
Wynne Alexander |
Romantic? She is! A deep
thinker? Most certainly! Practical and understanding? Read
what she said: “My father used to talk about Rome before
it fell and the addle-pated, syphilitic generals who oversaw
the demise,” she laughs. “At WDAS I learned about
the reality of how good music gets on the air, which doesn’t
exist anymore. I worked at a very special place. There were
actually talented people who cared about what they played.
And in their way they were nurturing. A lot of acts- hundreds
and hundreds over the years- came through that radio station
getting the breaks they needed. So I saw what it’s supposed
to look like, when you really have big talent. Doors are supposed
to crack open for you. That big undeniable talent used to mean
something. And unfortunately, I understand that’s just
about dead almost everywhere."
Wynne made friends everywhere. Some of
her buddies are world celebrities, to name a few: Muhammed
Ali, B.B. King, Coretta
Scott King, etc…Did I forget to mention that Wynne Alexander
is a soaring voice for justice, human dignity and fairness?!
She is ! And all these honorable virtues come to life in her
music.
Final
Thoughts: Wynne Alexander’s
CD is a music treasure. A trilogy of human depth, innovative
musicality
and a captivating mood setter. Buy it. You will enjoy it for
years to come. Two thumbs up!
Written by Maximillien
de Lafayette, Paris, October 26, 2003
"And Paris so
loved the Alexander Angles, Maximillien de Lafayette
was inspired to do an extensive interview."

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Review
by:
The Female Musician
Music Critic
Emily Rowley,
Rowlett, Texas
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“
Okay, close your eyes and imagine this--David
Byrne meets Prudence Johnson all rolled up in Rocky Horror. This is my
impression from Wynne Alexander's Love By It's Absence. I visited her
website and apparently I'm not too far off; her reviewers termed her sound
as "cabaret".
Now keep in mind I really liked this cabaret cd. I was under the impression
she was being tongue in cheek in most of the songs. However, her website
makes her sound incredibly uptight and serious. I'm going with the fun
angle--any one who sounds like Greta Garbo "if she could sing"
can't really "vant to be alone".
Ms. Alexander doesn't play out too often and mostly for private parties--
book her. If you can't do that, get her cd and take it seriously or go
for the cabaret Rocky Horror angle as I have. Either way it's a fun listen
and eased my drive from Holiday shopping and the mall. Although her website
likens her to Gershwin, I would go with Cole Porter. Liar and Hot, 'Cause
You're Not are the two most clever songs with lyrics like "I caught
you with your fingers in her jam" just too funny! Now I will say
she is serious about her music and plays a great piano, and one has to
appreciate that the cd is mostly "acoustic" and not over clouded
with techno garbage.
She is a strong woman with a strong voice and great messages in her songs.
She has written and produced all 10 songs on this cd. They all bear her
distinct style. I never felt like I was hearing same song second verse,
they each stand alone. You can contact her website to get the cd.”

FuzzLogic.com Luna Cafe Music Reviews
Luna
Kafé record review
US - Pennsylvania
- Full Moon 78 - 02/16/03
Wynne
Alexander
Knowing Love by
its Absence
Probonofone
Recordings
Wynne Alexander has a deep, sensous voice that comes to its right on this cd.
She writes sharp, imaginative lyrics and unusual melodies."I'm Not Here
Anymore" is an edgy, witty breakup song. It's one of the album's strongest
tracks.
The cabaret-influenced "What Am I to Say" has all the allure
and intrigue of an old Marlene Dietrich song. Alexander seems comfortable
with the genre. "Liars" has a Roxy Music-like sound and some
brilliant putdowns by Alexander. Her voice is at its most eloquent here.The
jazzy "Hot, Cause You're Not" hilariously deals with overconfident
people.
The singer's sweeter side comes through on the lush closer "Love
You Lullabye". It sounds like a contemporary update of a classic
jazz song.
Wynne Alexander is an intriguing new artist and hopefully she'll make
more records like this one.
Anna Maria Stjärnell - Sweden Copyright
Fuzzlogic 2003. 

Nationally
syndicated doyenne of female musicianship, Laney Goodman, whose "Women
In Music" radio
program is heard in 80 cities told Wynne:
"I
got your package and loved your music...Your CD is very different and
reminds me of Torch, Cabaret and a touch of Bertoldt Brecht -
all rolled into one genre."

Audrey
Regan, Founder of the AudArt Gallery and art-is-life webzine,
producer of Ten Years After:The Warhol Factory, social commentator,
writer and all around Bon Vivant was enthralled with Wynne's CD,
Knowing Love By Its Absence...“...a
little swoon party this CD is...I truly enjoy her rich delightful
voice.... "Knowing Love" is one of those rare
CDs on which every song competes to be your favorite. Not Here
Anymore was, but then Liars moved into first place
only to be outdone by Hot 'Cause You're Not, which has a
definite Cole Porter feel. I love all the songs, just differently. Love
You Lullabye is gorgeous and then there is The Night We
Danced. Great lyrics and I don't get to say that very often.”

Producer/Writer
Extraordinaire Kenny
Gamble
Recording Industry Powerhouse
Producer of Michael Jackson, Patti Labelle, Teddy Pendergras, The Ojays, Lou
Rawls, The Delphonics, The Intruders, Trustee of the Grammies, One of the Founding
Fathers of "Message Music", gave Wynne one of her highest compliments
by noting the powerful messages in her music...
(Click picture to enlarge)

Knowing Love by Its Absence
- Wynne Alexander
a Review by Amy - Producer
of Collected
Sounds
“Wynne Alexander's style is
very interesting. She's been called cabaret and I can see that surely,
but there's something else here to that I can't put my finger on.
She uses strong heart pounding drumbeats and her deep sensuous
voice, at times sounding like a carnival and at times an epic film score.
Her lyrics are also very clever and well thought out.
"Controllez-Vous" is one of those songs that I
found running through my head hours after I heard it.
"The Night We Danced" is a slow stylish tango
with sultry vocals.
On "I Was Right - They Was Wrong" her piano-playing
prowess really shows, a lovely ragtime type of song.
"Hot 'Cause You're Not" is a hilarious tribute
to those who think they're hotties (which makes then "not"-ies
in my book).
"I'm glad you think you're spicy
I'm glad you think you're icy
I'm glad you think you're cold
Cause you're not."
This is a great recording for those who are looking for something unique
and stylish and at times humorous.”

Joe
‘Butterball’ Tamburro, legendary disc jockey, soon
to be inducted into the Rock and Roll Hall of Fame and Clear Channel
programming
executive told his radio audience --
“If Greta Garbo
could sing, she’d sound like Wynne.”
(Click picture to enlarge)

This
just in...
City
Paper's "Best Of The Year" Edition
Meanwhile,
Wynne just received the
"Coolest Piano Lounger" award from the
City Paper, Philadelphia's highly influential journal on the arts and
entertainment scene. Their nationally respected music critic,
A.D. Amorosi wrote," Wynne
Alexander reels in the cabaret (crowd) with her throaty theatrical vocals-a
femme Bryan Ferry if ever there was-and self-compositional brand of blues
and musical drama."

During
presentation ceremonies, Wynne crossed the "white girl" Rubicon
when she was named an Honorary Black Marine of New Jersey.
(Click
picture to enlarge)

Jack
Sutton
of Harmony Ridge Music said, “ When I first heard
Wynne Alexander’s CD, I had to include it in the catalogue. The
amount of creativity, her powerful voice and the crispness-it all just
grabs you. And remember, I’ve heard thousands and thousands of CDs.
Our catalogue is the best of the best-I added Wynne immediately.”
Harmony
Ridge Music-www.hrmusic.com- is one of the nation’s leading arbitors
and world-wide distributors of music composed and performed by female
artists.
And upon a visit to Oz, in an exclusive audience with
the Wizard, in keeping with the "But they've got one thing you haven't
got" leit motif which so permeates our smug-ling
society.....
(Click picture to enlarge)

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