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Civil Rights Leader
Coretta Scott King
spoke with Wynne about how love can vanquish turmoil.

American Legend and Yale's own Dr. Riley B. King, better known as Blues Boy
B.B. King
"Listens to Wynne Alexander"

Political And Anti-War Activist, Defender of the Faith and Truly Heavy Weight Champion of the World
Muhammad Ali

(Click links for audio)

For a free mp3 player, click HERE.

"With hints of Marlene Dietrich, Bryan Ferry and Al Green in her voice...that never lacks in divine elegance." --Music and Culture Critic A.D. Amorosi

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This Just In from Sweden and Europe
FuzzLogic.com Luna Kafe Music Reviews

                                                
Luna Kafé record review

Luna Kafé - Wynne Alexander: Take Back the Night
border=0 alt="Luna Kafé e-zine" align=right height=23 width=128 hspace=3>  Luna Kafé record review
flag DATELINE: SWEDEN - Full Moon 124 - 11/05/06

Wynne Alexander
Take Back the Night
Probonofone Studios

Wynne Alexander's debut was a special record and I'm glad she's finally recorded a new one. Her cabaret sensibilities and sharp wit are intact as is her glorious voice.

The opener "Didn't You Say You Love Me" sees her let loose on her keys and use her alto voice to great effect as she dissects relationships. "Using Me" is a spiteful number with a big dramatic instrumentation to support it. "There's a Problem in the Land"takes a look at society and doesn't have kind things to say. Despite this its hooky and catchy and Alexander even scat sings a little.

The cabaret spirit rears its head for "What the World Calls Real", Alexander plays the disillusioned diva to perfection. The song's mood has me seeing her perform it live in a German beer hall in the twenties, war just around the corner and divine decadence rampant all over. "Should You Find Yourself" is the perfect after hours ballad, of love dying set to a stately melody.

This is a fabulous record and it's good to have her back.

Copyright © 2006 Anna Maria Stjärnell

© 2006 FuzzLogic

Woodstock Hero and Rock Icon
Richie Havens,
while watching and listening to Wynne’s entire sound check before she opened for him in Philadelphia said,
“She’s a one woman show. There’s a  Broadway aspect to her that is  unmistakable.”


Wynne Alexander goes wildly International...

WORLD ART
CELEBRITIES JOURNAL

THE INTERNATIONAL VOICE OF WORLD'S ARTS, CULTURE, MUSIC AND ENTERTAINMENT.
NOVEMBER 2003 ISSUE

IN THIS ISSUE:
The French Cabaret from the 17th Century to Present
MEET: WYNNE ALEXANDER. The Diva who makes you think!
The American Divas of the Ring
GOSPEL MUSIC IN AMERICA
The Musical Treasure of Maestra Alexander.

Who is Wynne Alexander? A Phenomenon! A Rare Treasure.

written by Maximillien de Lafayette, Paris, France. October 26, 2003

Rating: One of the best CDs of the Year!

Valerie Constand got a copy of Ms. Wynne Alexander’s CD. She asked me to listen to it and tell her what I think. Humbly, I am requesting Ms. Alexander forgiveness for not being familiar with her work, music and songs. Valerie insisted and defenseless, I succumbed to her wish. Apparently Valerie was impressed by the talent of Ms. Alexander. So I ordered one espresso, got comfy and began to listen to the music of Ms. Alexander.

Usually, critics give a compliment to an artist when they state: “ You feel as if she (any artist) is singing or playing just for you!” That is fine. I did not feel that way upon listening to Ms. Alexander’s music. Instead, I felt as if Wynne and I were playing the piano and singing together for the whole world to hear us. I wanted so much to melt in her music, presence, magical virtuosic hands escapade, and be part of each of her whispers, murmurs, stormy voice and delicately elegant musicality.

Wynne calls her music “Cosmopolitan Rock”. I call it a rosary of glittering beads of virtuosity, warmth, elegance and beauty. Human, very human. Celestial in its musical evocation, yet down to earth and explosive in its delivery. Her style is a bouquet of refined sophistication and a mad volcano of emotions and daring intimacy. I have never seen Ms. Alexander performing on stage. However, I have the precognitive feeling that this lady will embellish, revolutionize, caress, mesmerize the stage…and will run with it.
Wynne Alexander is powerful!

THE INNER PERSONA OF WYNNE ALEXANDER. WHO IS THIS MYSTERIOUS WOMAN?

“ She has been compared to Cole Porter, Bonnie Raitt, Gershwin and Marlene Dietrich, even got B. B .King's endorsement.” This is what you see and what you read every time you log on any of Ms. Alexander’s sites or any site posted by fans and music executives or distributors. On the surface, this analogy appears to be a compliment or a stamp of recognition caused by critics and music lovers. To me, this is a banal cliché.

Ms. Alexander should not be compared to anybody. This woman is multi-dimensional and marvelously innovative in her music interpretation, musicality illustration, deep enigmatic voice, piano elegant performance imbibed with personal experience and daring look at the universe which surrounds her and which expands to absorb the unseen. A metaphoric visualization of her own world. Wynne lives in her own world, a “somewhere dimension” which is not accessible to “common depiction” of a standards performer. Being an intelligent woman, a lyricist, a piano virtuosa, an existentialist thinker throwing her shadow on the streets of Philadelphia, this woman comes strong and powerful on the piano bar scene and cabaret nightspots. Alexander is one of the most intriguing, intellectual, intelligent, honest, realistic and truthful performers in America. It does not matter whether she is famous to the masses or unknown to inhabitants of world music. This woman is a monument. She is powerful. Once, you feel the depth, the substance and bitter reality of life in her songs, you will realize that Ms. Alexander is larger than life and you need to be part of her expanding universe. Alexander is not Jennifer Lopez or a Las Vegas vain superstar. Alexander is a woman who knew and experienced life. And this is why we go to cabaret. She is “real life”. She is the real thing in motion, in poesy, in delightful madness and in music.

Maestra Alexander wrote: “I exist in myself”, she agrees, “I’m more unfettered than most, yet I have to live with everyone’s opinions. I’ve heard people say I write male. I’ve heard people say I play like a black man. And that’s an enormous compliment, but what I think they’re talking about is strength. You don’t have to be male to be strong...I know how intrigued men and women are when they watch me play. When I’m up at the piano- 'attack, attack, attack'-I give the lie to the myth that female players aren't compellingly strong.” In her words, you can feel the poesy, the intellectual revolution, the free-spirited explosive woman, the poetess and the delightful sentimental anarchist.

You cannot stereotype her music. For its escapes from your heart…flirts with your daring thoughts and wishes you sweet dreams…Here music is larger than life…

But this anarchy is an infusion, explosion and reunion of the mystic and the blaze, the dramatic and the real, the esthetic and the pragmatic. It is a delightful artistic, half divine half human anarchy and I want to be part of it.

You cannot define the style of Wynne. She is already beyond dogmatic definitions. She has already traversed the bridge of musical epistemology. She is glittering on the top of the hill, and those who are still searching for words and fancy phrases to describe her art are left far behind. Usually, we listen to a certain kind or genre of music in virtue of our emotional needs, state of mind and or to create a mood to sink in, to sail in and to live from within. With Maestra and Diva Alexander, the mood is already set for you. And you sit for long time listening to her, for her interpretation of music is unorthodox, complex but not complicated, romantic but not out of style, tender but not weak….and all of a sudden, waves of powerful strokes of music and unconventional, powerful and progressive musicality avalanches roll in your direction and take you by storm. This woman is delightful and musically dangerous!

And you become totally taken by her avalanche of inner feelings, exploding emotions, yet, the very sophisticated and tender Wynne Alexander is gently sitting besides you, emanating affection, tenderness and warm friendship. So, don’t ask me how would I define or label her style. She is too noble to be classified and indexed under titles and labels. Her music is transcendental in modernism, liberalism, conservatism, existentialism and romanticism. Wynne’s CD is a treasure. A rare treasure.

I discovered a practical diva. Back in her hometown, not on mountain Olympus but, where she came from, they still call her Wynne Alexander…

I love a lot of things about this mesmerizing lady. Firstly, her music. Secondly, her way of life, the way she thinks, illustrates the world on her tragicomic canvas, on the stretched field of her universe… Read this. This is what she wrote: “We could be talking about Black Folks in America, Armenians in Turkey, Turks in Germany, Muslims in Sri Lanka, Jews in Europe, or Gays anywhere. We have numerous examples throughout the history of mankind of a majority imposing its opinion and will on a 'smaller' community. The majority sets the agenda, then labels and hails the heroes. And so today someone says 'she's so good, she plays like a man'-and tomorrow they'll just say-'she's so good.'

“You can’t look at a person and know anything,” says Wynne Alexander with a smile. “there’s no successful shorthand in this world. You’ve gotta’ find out for yourself.”
Wynne Alexander

Romantic? She is! A deep thinker? Most certainly! Practical and understanding? Read what she said: “My father used to talk about Rome before it fell and the addle-pated, syphilitic generals who oversaw the demise,” she laughs. “At WDAS I learned about the reality of how good music gets on the air, which doesn’t exist anymore. I worked at a very special place. There were actually talented people who cared about what they played. And in their way they were nurturing. A lot of acts- hundreds and hundreds over the years- came through that radio station getting the breaks they needed. So I saw what it’s supposed to look like, when you really have big talent. Doors are supposed to crack open for you. That big undeniable talent used to mean something. And unfortunately, I understand that’s just about dead almost everywhere."

Wynne made friends everywhere. Some of her buddies are world celebrities, to name a few: Muhammed Ali, B.B. King, Coretta Scott King, etc…Did I forget to mention that Wynne Alexander is a soaring voice for justice, human dignity and fairness?! She is ! And all these honorable virtues come to life in her music.

Final Thoughts: Wynne Alexander’s CD is a music treasure. A trilogy of human depth, innovative musicality and a captivating mood setter. Buy it. You will enjoy it for years to come. Two thumbs up!

Written by Maximillien de Lafayette, Paris, October 26, 2003

"And Paris so loved the Alexander Angles, Maximillien de Lafayette was inspired to do an extensive interview."

Producer/Writer Extraordinaire
Grammy Award Winner           
Kenny Gamble

Recording Industry Powerhouse
Producer of Michael Jackson, Patti Labelle, Teddy Pendergras, The Ojays, Lou Rawls, The Delphonics, The Intruders, Trustee of the Grammies, One of  the  Founding Fathers of Message Music,  gave Wynne one of her highest compliments by noting the powerful messages in her music...

 

(Click picture to enlarge)




 


Knowing Love by Its Absence
- Wynne Alexander

a Review by Amy - Producer of Collected Sounds

Wynne Alexander's style is very interesting. She's been called cabaret and I can see that surely, but there's something else here to that I can't put my finger on.

She uses strong heart pounding drumbeats and her deep sensuous voice, at times sounding like a carnival and at times an epic film score. Her lyrics are also very clever and well thought out.

"Controllez-Vous" is one of those songs that I found running through my head hours after I heard it.

"The Night We Danced" is a slow stylish tango with sultry vocals.

On "I Was Right - They Was Wrong" her piano-playing prowess really shows, a lovely ragtime type of song.

"Hot 'Cause You're Not" is a hilarious tribute to those who think they're hotties (which makes then "not"-ies in my book).

"I'm glad you think you're spicy
I'm glad you think you're icy
I'm glad you think you're cold
Cause you're not."
This is a great recording for those who are looking for something unique and stylish and at times humorous.

Review by:
The Female Musician
Music Critic
Emily Rowley,
Rowlett, Texas

Okay, close your eyes and imagine this--David Byrne meets Prudence Johnson all rolled up in Rocky Horror. This is my impression from Wynne Alexander's Love By It's Absence. I visited her website and apparently I'm not too far off; her reviewers termed her sound as "cabaret".

Now keep in mind I really liked this cabaret cd. I was under the impression she was being tongue in cheek in most of the songs. However, her website makes her sound incredibly uptight and serious. I'm going with the fun angle--any one who sounds like Greta Garbo "if she could sing" can't really "vant to be alone".

Ms. Alexander doesn't play out too often and mostly for private parties-- book her. If you can't do that, get her cd and take it seriously or go for the cabaret Rocky Horror angle as I have. Either way it's a fun listen and eased my drive from Holiday shopping and the mall. Although her website likens her to Gershwin, I would go with Cole Porter. Liar and Hot, 'Cause You're Not are the two most clever songs with lyrics like "I caught you with your fingers in her jam" just too funny! Now I will say she is serious about her music and plays a great piano, and one has to appreciate that the cd is mostly "acoustic" and not over clouded with techno garbage.

She is a strong woman with a strong voice and great messages in her songs. She has written and produced all 10 songs on this cd. They all bear her distinct style. I never felt like I was hearing same song second verse, they each stand alone. You can contact her website to get the cd.


FuzzLogic.com Luna Cafe Music Reviews

                                                
Luna Kafé record review
US - Pennsylvania - Full Moon 78 - 02/16/03
Wynne Alexander
Knowing Love by its Absence
Probonofone Recordings
Wynne Alexander has a deep, sensous voice that comes to its right on this cd. She writes sharp, imaginative lyrics and unusual melodies."I'm Not Here Anymore" is an edgy, witty breakup song. It's one of the album's strongest tracks.

The cabaret-influenced "What Am I to Say" has all the allure and intrigue of an old Marlene Dietrich song. Alexander seems comfortable with the genre. "Liars" has a Roxy Music-like sound and some brilliant putdowns by Alexander. Her voice is at its most eloquent here.The jazzy "Hot, Cause You're Not" hilariously deals with overconfident people.

The singer's sweeter side comes through on the lush closer "Love You Lullabye". It sounds like a contemporary update of a classic jazz song.

Wynne Alexander is an intriguing new artist and hopefully she'll make more records like this one.

Anna Maria Stjärnell - Sweden Copyright Fuzzlogic 2003.

Nationally syndicated doyenne of female musicianship, Laney Goodman, whose "Women In Music" radio program is heard in 80 cities said:

"I got your package and loved your music...Your CD is very different and reminds me of  Torch, Cabaret and a touch of Bertoldt Brecht - all rolled into one genre."

Audrey Regan, Founder of the AudArt Gallery and art-is-life webzine, producer of Ten Years After:The Warhol Factory, social commentator, writer and all around Bon Vivant was enthralled with Wynne's CD, Knowing Love By Its Absence......a little swoon party this CD is...I truly enjoy her rich delightful voice.... "Knowing Love" is one of those rare CDs on which every song competes to be your favorite. Not Here Anymore was, but then Liars moved into first place only to be outdone by Hot 'Cause You're Not, which has a definite Cole Porter feel. I  love all the songs, just differently. Love You Lullabye is gorgeous and then there is The Night We Danced. Great lyrics and I don't get to say that very often.


    Joe ‘Butterball’ Tamburro, legendary disc jockey, soon to be inducted into the Rock and Roll Hall of Fame and Clear Channel programming executive told his radio audience --

“If Greta Garbo could sing, she’d sound like Wynne.”

 

 

 

 


 (Click picture to enlarge)





City Paper's
"Best Of The Year" Edition

Meanwhile, Wynne just received the "Coolest Piano Lounger" award from the City Paper, Philadelphia's highly influential journal on the arts and entertainment scene. Their nationally respected music critic, A.D. Amorosi wrote," Wynne Alexander reels in the cabaret (crowd) with her throaty theatrical vocals-a femme Bryan Ferry if ever there was-and self-compositional brand of blues and musical drama."

 







During presentation ceremonies, Wynne crossed the "white girl" Rubicon when she was named an Honorary Black Marine of New Jersey.

 

 

 

 

 

         

 (Click picture to enlarge)





And upon a visit to Oz,
in an exclusive audience with the Wizard,
in keeping with the "But they've got one thing you haven't got" leit motif
which so permeates our smug-ling society.....


(Click picture to enlarge)

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